A cinephile, but no snob.

Emilie leads creative teams that help global streamers (Netflix), agencies (Trailer Park) and brands (Lays, Intel, Nat Geo, +) create compelling campaigns for films, series, and bespoke content. She brings hyper cinematic AV background in production, post, and animation, marketing know-how, copy savy, and a love for design. Highly collaborative, great with stakeholders and editors alike, and honestly just a real good time.

A fine art background, a MFA in Film from CalArts, and a strong personal art practice means that Emilie is always creating, keeping the work fresh. Her personal film work has appeared in the New York Times, the Wall Street Journal, Court Metrage at Cannes, Films de Femmes in Paris, The New Yorker, The Hammer Museum, and many others. Sounds fancy, but she grew up on a farm in the Midwest, so there’s that.

“Whenever Emilie is leading a project I know I can be hands-off and allow her to work her magic. She is collaborative and focused on what's best for the business and the creative and takes a team focused approach, bringing peers, creatives, and partners together. She makes everyone feel that their point of view is seen and heard and is a master at navigating multiple stakeholders and opinions. She has an amazing ability to drill down to what's most important, pitch ideas that push the brief to its best place in order to serve the content as intended, and resolve creative conflicts, head-on.”

-Jaina Rodriguez, Product Creative Studio Design + Motion Manager, Netflix